Isn’t curiosity marvelous? Something sparks your interest, and you’re off—questioning, learning, exploring, pondering. Say you meet someone new, share a bit about yourself, and they’re genuinely curious; suddenly you’re deep in conversation, sharing details about yourself or your work that you rarely otherwise disclose, and you begin to wonder whether this person might become a friend. Or say you receive a new artistic medium, a set of oil pastels; you’re eager to feel one in your hand, run it across a blank page, be surprised by the streak of color. Or say you’re a writer with one idea that leads to another, that leads to a few weeks buried in the library stacks and then a few years pursuing a project; you’re absorbed, you’re riding the rails of your heart without a clue where the train is going.
The gift of curiosity is this: We lose ourselves. (more…)
When seekers trekked out to the desert in the early centuries of Christianity, the wise Abbas and Ammas there advised them to “go to your cell, and your cell will teach you everything.”
I’ve been mucking around in this pre-original-sin wisdom lately, and, let me tell you, it’s mind-bending. Mistakes, weaknesses, temptations, sins—Augustine hadn’t yet made of these cause for guilt and shame, so instead they’re understood as unavoidable, even necessary to the life of faith, and worthy of gratitude. In story after story, thieves create chances for the monks to release material attachments and exercise compassion. The devil comes not as the temptation to do bad things but rather as distracting thoughts. This is a topsy-turvy faith, barely recognizable today as Christianity. (more…)
Okay, folks; hang on tight: I’m going to go metaphysical on you today. I think I’ve located a fallacy within how writers think about creation, and I want to unpack it with you. This fallacy is relevant to all artists and everyone committed to transformation, of self or society, so even if you’re not a writer, come along for the ride.
When writers work, we imagine ourselves as the source of an idea or at least as the channel for inspiration. We identify closely with our idea; we generate text; we revise; we as authors are the dynamic moving the project forward. At the other end of our project, we imagine a publisher acting as a gatekeeper to an audience, who will read our work and be entertained or educated or transformed by it. We picture this timeline like this:
A few years ago, I set off on a journey to the heart of Christian contemplation, both in practice and with studies. I began doing Centering Prayer, a form of meditation rooted in monasticism and the teachings of the mystics, and reading works from the mystical margins of Christian tradition—St. John of the Cross, Meister Eckhart, Theresa of Avila, Bonaventure, the Patristic fathers—and sharing all this with an international contemplative community. It’s been thrilling. The work transforms me from the inside out, and will have a profound on my writing, teaching, and living for years to come.
Because I love and trust language so much, the hardest part about these past years has been my inability to talk about what I’m learning. I put down a book or return from a symposium feeling like my internal furniture has been rearranged, but I can’t say how, or why, or what. I’m a blubbering fool. (more…)
Here is sure evidence that I am a born writer: By high school, I couldn’t walk down the hallway or open my locker without a little story-teller voice whispering in my ear, “With stealthy steps, Elizabeth paced the institutional hall, fluorescent lights buzzing overhead, until she stopped, suddenly, at a combination lock.” My every lived moment was instantly narrated. Call it a self-consciousness, psychosis, or literary genius, regardless, I had an instinctive, even impulsive need to relate events which was only released by writing.
Over the years my inner narrator has served me well, mostly because I’ve learned to work with her. She’s the story-teller in me as well as the essayist, the self that happily hops on a train of thought and rides it across the page. As a teacher, I’m particularly good at facilitating the development of my students’ reflective voices. “What’s your story?” is a great question to begin with, but it must be followed by “What do you make of your story?” before creation really begins. What do you think—and feel and wonder and deeply know—about your experience? (more…)
I was raised by a liberal, seminary-educated mother in a liberal United Methodist congregation, and both blanketed me with a theology of a warm, loving God. But the chill of original sin snuck under the covers regardless. How? It’s hard to say. Through the Adam and Eve of popular culture? Through my mother’s foundational guilt and insecurity? Through the Sunday morning stress of getting out the door on time, as though our lives depended on showing up for worship with clean hair and ironed clothes? Regardless, I understood myself to be fundamentally wrong, and faith was the antidote. Every time I screwed up, deliberately hurting my boyfriend, turning my back on a stranger in need, lying to my parents, my “sin” was a guilt-soaked reminder of my hidden, awful nature. (more…)