Hidden deep within the writing process is a powerful tool for social change.
I know; that statement can’t be substantiated. But let’s try on the idea for a moment.
If you’ve ever penned your thoughts or memories or imaginings, you know that the writing process surprises you. Writers say they write to find out what they think. The process of writing is revelatory. We see differently for having written. This is “re-vision”, even if you’re just writing a journal or first draft. (more…)
January 17, 2017
You don’t want to go to the Women’s March this Saturday. I understand; you’re eight, and two summers ago at a climate march you experienced the unfortunate combination of too much heat, exhaustion, and greasy eggrolls. We’re marching anyhow. I’m writing this because I want you to know why. I also want to tell your older self, so I’ll tuck this letter aside to show you again later. (more…)
“Fear not, for behold: I bring you glad tidings of great joy.” I’ve listened to these words, sung them, shouted them from a church basement, and read them hundreds of times. They are the great refrain of Christmas. This year they strike me differently, though, because this year I am afraid.
I’m afraid because my mother’s no longer here, which is just sad on most days but then sometimes feels like the ground under me has heaved and is no longer trustworthy. I’m afraid because, walking to work last week in below-zero temperatures, I passed through a happy flock of robins—the climate is changing, what used to be predictable is no longer, and we’ve elected a government that will likely aggravate the problem. (more…)
Whenever I speak about writing and inevitably mention revision, people roll their eyes. Even experienced writers. Even published writers. A few years ago I pitched my book about revision to a series of editors at the Associated Writing Program’s conference; each and every one laughed at me.
Revision is dreaded, universally. Even those like myself who thrive in revision understand the sentiment. Change is hard. Changing the way we see our creations and then changing the creations themselves is especially challenging. But it’s even worse than that. To change the way we see our creations, we ourselves have to change. We have to willingly step away, shift positions and perspective, and look again. Ugh! (more…)
I can’t tell you how many times writers hand me a stack of pages and ask, “Is it any good?”
I’ve stopped answering this question. Sure, some writing is better than others. Sure, I have strong opinions about what makes a good story. But I’ve become increasingly wary of writers’ need to ask this question and my ability to answer it.
When a work-in-progress is deemed “good” by a reader, what purpose does this serve? All artists—all humans—want and need external affirmation; to continue hard work, we need our efforts affirmed and the essence of our endeavors recognized. (more…)
Maybe because my dining room table is plastered with paper dolls, cat toys are scattered across the living room, and Gwyn is almost constantly pulling at my sleeve begging me to play with her, but play has been much on my mind lately. Or maybe I’m thinking about it because I’m wrapping up my book about revision and realizing that the gist of 200 pages and six years of work is don’t forget to play.
Play is anything done spontaneously for its own sake—according to Stuart Brown, psychiatrist and founder of the National Institute for Play. Kids are pros. Artists are those who preserve this basic childhood capacity into adulthood. Artists are also ambassadors for play; by actually doing it, we witness to our communities and audiences that this basic human inclination is valuable. (more…)