Author name: Elizabeth Jarrett Andrew

I’ve recently become a great fan of chronology, the true representation of the order of events.   Stories, according to E.M. Forster, are narratives of events arranged in their time sequence, with the great advantage of making the audience want to know what happens next.   Beginning, middle, end:   the formula is as old […]

Underneath the act of writing memoir is an implicit belief:   A wholeness exists among the fractured memories of a life.   If we didn’t believe this, it’s unlikely any memoirist would take on the endeavor.   In fact, I suspect many people write memoir because they long for a complete, unified perspective on their

Over the course of years of working on my own writing and coaching others, I’ve come to recognize a stumbling place in the process of writing a book.   There comes a moment, usually around the completion of a first full draft, when the project seems utterly overwhelming.   A new form of writer’s block

The greatest nonfiction writers are the ones who are willing to put up with extremely uncomfortable, miserable thoughts, for days and weeks and years on end.   –Carol Bly After allowing my novel to rest for half a year, I’ve recently launched back in to make some fairly major changes:   restructuring the first hundred pages,

“I reject the rejections!” the righteous writer cries; “I will persist!”   Hoorah for determination, I say.   But before you ritually burn the rejection slips to rid yourself of bad juju, I’d like to suggest an alternative. “Rejection along with uncertainty are as much a part of the writer’s life as snow and cold

I was asked this question in class last night, and a lively discussion ensued.   There are many reasons memoir is flying off the shelves right now–Americans’ voyeuristic obsessions, our thrill at the democratization of the personal narrative (you don’t have to be a president or have climbed Mount Everest to write about your life),