Okay, folks; hang on tight: I’m going to go metaphysical on you today. I think I’ve located a fallacy within how writers think about creation, and I want to unpack it with you. This fallacy is relevant to all artists and everyone committed to transformation, of self or society, so even if you’re not a writer, come along for the ride.
When writers work, we imagine ourselves as the source of an idea or at least as the channel for inspiration. We identify closely with our idea; we generate text; we revise; we as authors are the dynamic moving the project forward. At the other end of our project, we imagine a publisher acting as a gatekeeper to an audience, who will read our work and be entertained or educated or transformed by it. We picture this timeline like this:
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Writer……Project……………………Publisher……Reader
A few years ago, I set off on a journey to the heart of Christian contemplation, both in practice and with studies. I began doing Centering Prayer, a form of meditation rooted in monasticism and the teachings of the mystics, and reading works from the mystical margins of Christian tradition—St. John of the Cross, Meister Eckhart, Theresa of Avila, Bonaventure, the Patristic fathers—and sharing all this with an international contemplative community. It’s been thrilling. The work transforms me from the inside out, and will have a profound on my writing, teaching, and living for years to come.
Here is sure evidence that I am a born writer: By high school, I couldn’t walk down the hallway or open my locker without a little story-teller voice whispering in my ear, “With stealthy steps, Elizabeth paced the institutional hall, fluorescent lights buzzing overhead, until she stopped, suddenly, at a combination lock.” My every lived moment was instantly narrated. Call it a self-consciousness, psychosis, or literary genius, regardless, I had an instinctive, even impulsive need to relate events which was only released by writing.

I first heard this advice from a camp counselor after a silly skit about texting, missing a sunset, and dropping a cell phone in the lake. “Be where your feet are” was the camp’s refrain. If you’ve traveled into the wilderness, be in the wilderness; pay attention to the natural world; open your being to the moment you’re in.
The journal is a writer’s compost bin. It’s tucked out back, behind the fence or along the alley where the smell won’t waft into the kitchen and the fruit flies won’t irritate the gardeners. You add to it daily, or at least whenever you’ve got a heaping bucket of scraps (read: baggage) to unload.
I was raised by a liberal, seminary-educated mother in a liberal United Methodist congregation, and both blanketed me with a theology of a warm, loving God. But the chill of original sin snuck under the covers regardless. How? It’s hard to say. Through the Adam and Eve of popular culture? Through my mother’s foundational guilt and insecurity? Through the Sunday morning stress of getting out the door on time, as though our lives depended on showing up for worship with clean hair and ironed clothes? Regardless, I understood myself to be fundamentally wrong, and faith was the antidote. Every time I screwed up, deliberately hurting my boyfriend, turning my back on a stranger in need, lying to my parents, my “sin” was a guilt-soaked reminder of my hidden, awful nature.
On a good morning of writing, the words leave my head entirely and reside in my fingers. Writing is a quiet business. Once I tried to explain this to a spiritual director—the way my heart stills and the room pulses with silence—but she didn’t believe me. How can you work with words and be quiet at the same time? Surely it’s impossible.
“The Christian of the future will either be a mystic, one who has experienced something, or she will cease to be anything at all.” –Karl Rahner