I’m still unpacking Annie Dillard’s statement that a “complete novel in a trunk in the attic is an order added to the sum of the universe’s order.” Why? It seems to me that creative people value our work almost exclusively with external measures—the fact of being published, sales numbers, reviews, literary recognition, etc. Sometimes we’re wise enough to value the process over the product; sometimes we orient our hearts toward how our stories impact the internal lives of our readers. But when it comes to feeling like our work matters, most often we lean on external measures for validation.
Dillard says that on some subterranean level, a fully developed but unread creative work makes a metaphysical difference in creation. Okay. Do we writers need to take this on faith? Or can we find concrete evidence?
Here’s the latest bit of evidence I’ve dug up. Continue reading