I’m a great proponent of the triage method of revising: Take care of the big problems first and gradually work your way down to the details of language. In the abstract, this is a great philosophy. If there’s such a thing as a time-saver, prioritizing like this is it. And generally writers DO pay more […]
Language 1: Triage Read More »
A critical but usually unspoken component to writing well is the quality of the human being who writes. Is he or she smart? Thoughtful? Curious? Provocative? Original? Has he or she done emotional research to undergird the story? “Living a conscious and reflective life is a prerequisite for writing a memoir of substance,” writes Judith
Life Behind the Writing Read More »
The last thing that we find in making a book is to know what we must put first. –Blaise Pascal Why do new writers assume they must begin writing at the beginning and end at the end? Of course this is a silly question. We read from beginning to end, so this order seems obvious.
Beginnings and Endings Read More »
The structure of a creative work is discovered, not imposed. Consider the architect’s mantra, “Form follows function.” A skyscraper exists because of land limitations, population density, and the nature of business relations; its inherent qualities (its purpose, its limitations) distinguish it from a bungalow or a Carnegie library. Likewise each piece of prose has a
Structure Discovered Read More »
The more I revise and the more I help new writers learn to revise, the more I’m convinced that good revision, like any good writing, is essentially play. Robin Marantz Henig’s recent article in the New York Times , “Taking Play Seriously,” looks at recent scientific studies that ask, What is play’s role in
Playing with Revision Read More »
We can only hold so much information in our heads. Thank goodness for paper and pen! I am an inveterate list-maker, and offer the revision guide as a helpful tool for collecting thoughts and steering revision. The revision guide is a catch-all, holding our vision for the next draft and a list of changes that
The fastest way to see our writing with fresh eyes is to look through the eyes of a reader. Established authors might profess that they don’t reveal their work to anyone until it’s done, or complain about writing workshops producing works created by consensus. But writers who are still learning the craft need exposure to
In a minute you’ll read a writing exercise you’ll hate. Your hackles will rise and a bitter taste will fill your mouth. Every bone in your body will resist it. Here’s my challenge: Do it anyway. A first draft is a beautiful thing. Drafts are well worth growing attached to; they have raw energy, bursts
Better the Devil You Know: An Exercise Read More »
I’m a tender-hearted gardener. When last year’s cherry tomatoes reseed themselves, I don’t have the heart to pull them out. And so I end up with an abundance of late-ripening cherry tomatoes. What to do? Make tomato sauce. But cherry tomatoes are a hassle to peal, even after blanching, so I choose the lazy route,
“So what?” Insidious, persistent, biting, the simple question is a brain-bug infecting every writer I’ve ever met. It gnaws at our confidence. It stops our pen mid-stroke. It’s a plague infecting whole classrooms—whole cultures, even, undermining the generative instinct because it assumes a vacuous answer. There’s no justification for creative work, it seems. And it’s
Revisiting the “So what?” Question Read More »