Unsurprisingly, these days I’ve been pondering the word “release”. Prisoners are released from jail, butterflies are released from cocoons, classified documents are released to the public, singers release their latest albums, and when we weep or rage we release emotions. My favorite definition of release is “to allow something to move, act, or flow freely”; …
As I begin the bizarrely self-referential work of releasing The Release, I’m test-driving the teachings I put forward there. Can I really find increasing freedom as I send this book into the world? Can marketing and publicity really be life-giving? Can I sustain writing’s energizing, personally enriching exchange with mystery—the gift economy of the creative process—as …
Do you ever feel self-conscious on the page? A shout-out to the Brevity blog for publishing these reflections on stumbling our way to consciousness through writing. When my partner Emily teaches traditional circle dance to a group of newbies, they go through a predictable progression. First, they stride easily into the class, unaware of their …
In preparing to launch The Release this October, I’m dizzied by the ironies of releasing a book about releasing creative work. If ever there were an opportunity to heed my own advice! So between now and then I thought I’d share some excerpts, in part to give you a foretaste but mostly to remind myself. The Release shares spiritual …
Years ago I coached a Buddhist priest in the development of his memoir. Unlike most beginners, Sensei V (as I’ll Christen him) cranked out a crummy but exceedingly workable rough draft in no time flat. Plagued by none of the usual hang-ups (self doubt, insecurity about “not being a real writer,” despair at how terrible his writing …
Twenty-five years ago, I met a woman in the Loft mentor series whose feedback was superb and whose prose I adored. When she mentioned her writing group, I was so overcome with envy I blurted, “Any chance you’re taking new members?” Sure enough, someone was leaving and I was most welcome. Two and a half decades later, …
As I write, Gwyn’s at the piano practicing a Beethoven Sonata, repeating trills, stumbling on scales, figuring out fingering. Distracting as her mistakes are, I find myself amazed that, after ten years of parental supervision, Gwyn is finally capable of cultivating for herself the joy of puzzling out a piece. Gwyn’s not naturally talented, but …
As a serious practitioner and teacher of one art form—writing—I don’t often share that I also play piano. Actually, I keep it secret. Why say anything when there’s no way in hell I’ll ever perform for you? I started taking lessons at age seven, two years before I began writing, and studied it relatively seriously, …
For how many years now—twenty? thirty?—I’ve quoted Anne Lamott’s snarky bit of writing advice, gleaned from Bird By Bird: “You’ve got to write a shitty first draft.” I teach it to students and recite it to myself (even as I write this!) as a balm against revulsion at my mess of bad prose and half-baked …
I’ve read two books recently that are knocking over some of the great pillars of craft supporting my writing practice. I’m both disconcerted and thrilled. First, Craft in the Real World: Rethinking Fiction Writing and Workshopping. Matthew Salesses, a Korean American novelist, explores how culturally bound our contemporary literary standards are, which is why they …