In preparing to launch The Release this October, I’m dizzied by the ironies of releasing a book about releasing creative work. If ever there were an opportunity to heed my own advice! So between now and then I thought I’d share some excerpts, in part to give you a foretaste but mostly to remind myself. The Release shares spiritual …
Years ago I coached a Buddhist priest in the development of his memoir. Unlike most beginners, Sensei V (as I’ll Christen him) cranked out a crummy but exceedingly workable rough draft in no time flat. Plagued by none of the usual hang-ups (self doubt, insecurity about “not being a real writer,” despair at how terrible his writing …
Twenty-five years ago, I met a woman in the Loft mentor series whose feedback was superb and whose prose I adored. When she mentioned her writing group, I was so overcome with envy I blurted, “Any chance you’re taking new members?” Sure enough, someone was leaving and I was most welcome. Two and a half decades later, …
As I write, Gwyn’s at the piano practicing a Beethoven Sonata, repeating trills, stumbling on scales, figuring out fingering. Distracting as her mistakes are, I find myself amazed that, after ten years of parental supervision, Gwyn is finally capable of cultivating for herself the joy of puzzling out a piece. Gwyn’s not naturally talented, but …
As a serious practitioner and teacher of one art form—writing—I don’t often share that I also play piano. Actually, I keep it secret. Why say anything when there’s no way in hell I’ll ever perform for you? I started taking lessons at age seven, two years before I began writing, and studied it relatively seriously, …
For how many years now—twenty? thirty?—I’ve quoted Anne Lamott’s snarky bit of writing advice, gleaned from Bird By Bird: “You’ve got to write a shitty first draft.” I teach it to students and recite it to myself (even as I write this!) as a balm against revulsion at my mess of bad prose and half-baked …
I’ve read two books recently that are knocking over some of the great pillars of craft supporting my writing practice. I’m both disconcerted and thrilled. First, Craft in the Real World: Rethinking Fiction Writing and Workshopping. Matthew Salesses, a Korean American novelist, explores how culturally bound our contemporary literary standards are, which is why they …
“You’re really enjoying writing these days,” a friend recently said. She was mirroring back to me my enthusiasm for my current project, a middle grade novel sprinkled with fantasy that occupies my mornings and then travels with me into the rest of my day like an invisible jungle gym for the heart. I desperately want …
Writers often say that if they knew how much work a book would take, they’d never have started to write. Denial sets us on a path of creativity and growth and change, and this path can then gradually open our eyes to reality in a way we can bear.
Whatever cross-section of life you choose to portray reveals the essence of the whole.