When my mother died I inherited some money from her life insurance policy. Most of it went directly toward retirement but there were two small extravagances I indulged in and about which my mother would’ve wholeheartedly approved: I bought my first couch after 25 years of sitting on a futon, and we hired once-a-month housecleaning help.
My mother kept an immaculate home. You could have eaten a meal off her garage floor. (more…)
Yesterday, watching dozens of bundled children careen down the sledding hill toward the creek, I had a pure Minnesota Moment. Big, heavy flakes filled the air; the kids were exuberant, flying over the jump, then trudging back up through deep powder; every so often some fat tire bikers passed by over the frozen creek bed; I felt how fortunate we all were to have hefty snowsuits, parents included, and wool socks and the fortitude to be glorying outdoors.
Eleven degrees and a snowstorm seem balmy only after a stretch of truly hard cold. (more…)
One of the hardest things about creative writing, as far as I’m concerned, is the pervasive sense of getting nowhere. Sure, I might have a productive morning and crank out a few thousand words, but tomorrow I’ll cut half of them, and even if I don’t I’ll likely wait years before those words see the light of day. If I see them in print I’ll do a little jig. But I’ve published enough to know that publishing isn’t ultimately satisfying. What does satisfy is the creative journey itself and any journey my writing gives readers—but even this I rarely see. (more…)
Recently a friend who is going through a prolonged stretch of care-giving asked me how I understood the tag line at the end of my email. For years this quotation has traveled with me, guiding my work and ending my every correspondence:
Aliveness springs from our making something of what we experience and receiving what experience makes of us. –Ann Belford Ulanov
The old joke goes like this: A visitor stops a local on the streets of New York and asks, “How do I get to Carnegie Hall?” The New Yorker replies, “Practice.”
Every morning before school, Gwyn practices piano. She’s a musical kid; when she was four she begged for lessons and we made a family commitment: Piano would be our means for nurturing Gwyn’s natural interest. But Gwyn’s enjoyment of music, her inherent musicality, and her fantastic ear don’t add up to a love of practice. Practicing is hard, so we routinely endure the pre-practice, baby buffalo huffing with arms crossed. Practice is Gwyn’s means to screen time (read: bribery), and most days she needs our physical proximity on the piano bench in order to stay there.
Why bother with all this effort? (more…)
“A complete novel in a trunk in the attic is an order added to the sum of the universe’s order.” Or so Annie Dillard believes. This is a peculiar metaphysical statement: Creative work makes a difference regardless of audience. How is this possible?
I posed this question in my newsletter a bit ago and received some remarkable responses. Today I’d like to share Liz Olds’ story. (more…)