After allowing my novel to rest for half a year, I launched back in to make some major changes. I restructured the first hundred pages, shifted the personality of the main character, and changed her reasons for making a pivotal decision. As I revised, I experienced the complicated joy of being fully immersed in a project. The sensation is one of absolute concentration—I move into the cosmos of the book and see nothing beyond its boundaries—coexisting with absolute rebellion. I squirm, I want to get a glass of water, and then ice, then a coaster. I need to clip my toenails. When these powerful, contrary forces rise up, I know I’m in the heat of writing.
This discomfort reminds me of meditation, how part of me is drawn into the vast oblivion of silence and another part fights mightily to maintain the dignity of selfhood. Continue reading