Author name: Elizabeth Jarrett Andrew

Accepting Rejection, Rejecting Acceptance

(A big thanks to participants in the Book Binders’ Salon for a stimulating conversation last night about rejection. I’m indebted to you for most of this post!) “Rejections slips,” wrote Isaac Asimov, “however tactfully phrased, are lacerations of the soul, if not quite inventions of the devil – but there is no way around them.” The […]

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“Yes, and…”

The first rule of improvisational theater is to say yes to whatever comes your way. When your fellow actor hands you a toothbrush, don’t bring the show to a stop and demand a corkscrew. Say yes. When you accidentally trip over your shoelaces, don’t get flustered. Say yes as though you intended to be clumsy.

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Art is Long

Perhaps the kindest—and most instructive—comment I’ve ever received from a reviewer came from Mary Rose O’Reilly, author of The Barn at the End of the World: “I can imagine that [Elizabeth] has spent many hours staring out the window until she arrives at a lived-synthesis of what the great religions and irreligions have to tell

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All Hail the Verb!

Verbs know how to party. Nouns might be great to look at, but they just sit around. Adjectives inevitably take up your time; adverbs always seem needy; and those innocuous articles are wallflowers. Introduce a lively verb to the crowd, however, and everyone sparkles. Suddenly there’s dancing and arguing and necking behind the sofa. Bring

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Goofy for Good

Biking still evokes this lingering suspicion that I’m really a kid pretending to be an adult. Maybe it’s because I look so goofy. Maybe it’s because I’m having more fun than those gas-pedal-pushing professionals. Or maybe I’m back in that childish—or is it faithful?—place of participating fully in this glorious turning world.

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Delivering Hannah

Here’s the scene that comes to me: Hannah, fairly new in her midwifery apprenticeship, making a mess of her first attempt to draw blood. She’s hesitant to poke the needle deep enough to catch a vein, so blood spurts everywhere and the man who has offered his arm is hurt, albeit not much. Hannah develops a full-fledged terror of drawing blood. She’s sure that by inserting herself into others’ lives, she’ll hurt them.

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Author / Authority

What gives YOU the authority to write?  Not a nice question, but it’s certainly one writers ask ourselves.  I’m asking it afresh as Hannah, Delivered heads to the book stores next month.  Was I deluded to think this novel belongs in the world?  Surely I’ll be found out to be a fraud! I’ve yet to

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