Broken & Beautiful: How the Light Gets In
The funny thing is that, wrong as we are, we do belong here, and wrong as our work may be, it belongs as well. Everything is cracked, and everything is beautiful.
Writing
Undoing the Single Story
Revision insists that we reject the single story in favor of layered, complex, and contradictory stories. Just as intimacy and awareness break down our stereotypes, intimacy with and awareness of our material break apart our over-simplifications and half-truths.
Permission for Privacy
Because of Robinson’s vast permission to explore what she wills however she wills, she’s creating literature that ministers to a profound and very contemporary thirst—for grace, for beauty, for kindness. She teaches me that those hidden, peculiar, contrary motivations that rise up when I’m given solitude are even more worthy than I thought.
Creative Rest
All writers know the magic of putting aside a problematic passage (for a nap or a walk) only to have the solution appear unbidden. This turning away from writing is, paradoxically, an essential part of writing.
Feeling like a Fraud–or Not
I’ve been bowled over by how many people have shared with me that they feel like frauds. It plagues artists, for whom there’s always some level of public recognition to strive for that might finally affirm our worth; it plagues leaders, who must stand in front of people who will inevitably question their authority; it plagues parents, who feel they should know what they’re doing and don’t. Is there anyone who doesn’t at some point feel fraudulent?!
The Story Comes First
I’m increasingly convinced that what makes writing (both the process and the product) valuable is its service to the story. Nothing else satisfies in the end—not success, not recognition, not extraordinary craft accomplishments, certainly not money.
Good Enough
Over my years of teaching writing I’ve had hundreds of people ask me, “Is this writing good enough?” This question shows up in different forms—“Is it publishable?” “Do I have talent?” “Should I keep going?” But it’s inevitable. I’ve yet to work with a writer (or meet any artist, for that matter) who didn’t ask …
Accepting Rejection, Rejecting Acceptance
(A big thanks to participants in the Book Binders’ Salon for a stimulating conversation last night about rejection. I’m indebted to you for most of this post!) “Rejections slips,” wrote Isaac Asimov, “however tactfully phrased, are lacerations of the soul, if not quite inventions of the devil – but there is no way around them.” The …
Art is Long
Perhaps the kindest—and most instructive—comment I’ve ever received from a reviewer came from Mary Rose O’Reilly, author of The Barn at the End of the World: “I can imagine that [Elizabeth] has spent many hours staring out the window until she arrives at a lived-synthesis of what the great religions and irreligions have to tell …
All Hail the Verb!
Verbs know how to party. Nouns might be great to look at, but they just sit around. Adjectives inevitably take up your time; adverbs always seem needy; and those innocuous articles are wallflowers. Introduce a lively verb to the crowd, however, and everyone sparkles. Suddenly there’s dancing and arguing and necking behind the sofa. Bring …