Creative Rest
All writers know the magic of putting aside a problematic passage (for a nap or a walk) only to have the solution appear unbidden. This turning away from writing is, paradoxically, an essential part of writing.
All writers know the magic of putting aside a problematic passage (for a nap or a walk) only to have the solution appear unbidden. This turning away from writing is, paradoxically, an essential part of writing.
I’ve been bowled over by how many people have shared with me that they feel like frauds. It plagues artists, for whom there’s always some level of public recognition to strive for that might finally affirm our worth; it plagues leaders, who must stand in front of people who will inevitably question their authority; it plagues parents, who feel they should know what they’re doing and don’t. Is there anyone who doesn’t at some point feel fraudulent?!
Feeling like a Fraud–or Not Read More »
I’m increasingly convinced that what makes writing (both the process and the product) valuable is its service to the story. Nothing else satisfies in the end—not success, not recognition, not extraordinary craft accomplishments, certainly not money.
The Story Comes First Read More »
Over my years of teaching writing I’ve had hundreds of people ask me, “Is this writing good enough?” This question shows up in different forms—“Is it publishable?” “Do I have talent?” “Should I keep going?” But it’s inevitable. I’ve yet to work with a writer (or meet any artist, for that matter) who didn’t ask
(A big thanks to participants in the Book Binders’ Salon for a stimulating conversation last night about rejection. I’m indebted to you for most of this post!) “Rejections slips,” wrote Isaac Asimov, “however tactfully phrased, are lacerations of the soul, if not quite inventions of the devil – but there is no way around them.” The
Accepting Rejection, Rejecting Acceptance Read More »
Perhaps the kindest—and most instructive—comment I’ve ever received from a reviewer came from Mary Rose O’Reilly, author of The Barn at the End of the World: “I can imagine that [Elizabeth] has spent many hours staring out the window until she arrives at a lived-synthesis of what the great religions and irreligions have to tell
Verbs know how to party. Nouns might be great to look at, but they just sit around. Adjectives inevitably take up your time; adverbs always seem needy; and those innocuous articles are wallflowers. Introduce a lively verb to the crowd, however, and everyone sparkles. Suddenly there’s dancing and arguing and necking behind the sofa. Bring
All Hail the Verb! Read More »
This past week I got a chance to visit with my brother-in-law, a former New York City musician and visual artist transplanted to Taos, New Mexico. Scott told me about a recent meeting of Taos artists where all the attention was directed to drawing more tourists and getting them to buy more art. Scott’s current
Writing as Service Read More »
What gives YOU the authority to write? Not a nice question, but it’s certainly one writers ask ourselves. I’m asking it afresh as Hannah, Delivered heads to the book stores next month. Was I deluded to think this novel belongs in the world? Surely I’ll be found out to be a fraud! I’ve yet to
Author / Authority Read More »